Have you ever looked closely at your apartment playground? Personally, I believe that the future of a country depends on playgrounds. It may sound a little “Hujin-hyung” to say this, but I think the playground is too safe. Parents are mixed in where their children play, the floor is soft, and the height of the play equipment is getting lower and lower. In this case, children are deprived of the opportunity to learn things by playing with each other, and are exposed to a moderate level of risk, preventing them from learning how to avoid dangerous situations.
However, if you look closely at the flower bed next to the playground, you can see something interesting. There is nothing where grass and trees should originally be. As if someone passes by often. This means that even if adults watch with their eyes wide open, there are always pranksters who wander off into side streets and plot plots. Just like James Keith (James Keys).
James Keith’s [EVERYBODY GOES] is an album like an innocent bad boy. It crosses numerous genres such as funk, jazz, R&B, and hip-hop, showing a sound that goes anywhere. The idea of trying to overturn an absurd world seems to even be in line with the spirit of punk. I think it’s really amazing that you’re able to keep your own balance amidst the changes that repeat throughout the album. In particular, Kim Hyeong-gyun’s energetic performance combined with the rebellious mood of track 9 creates good synergy, so please be sure to listen to it.
Do you need a bit of a rebellious mood today? Try listening to James Keith’s [EVERYBODY GOES].